Luke Jaaniste is a sonic and visual artist, writer and researcher, currently based in Brisbane. As an artist he explores embodied experience of ambient space, through sound- and visual-based projects and events. This includes individual practice, co-direction of several ongoing collaborations and working in a range of communal settings. His Portal project involves the collection of multiple vintage keyboards (Yamaha PortaSounds, 1981-1984) which are then unleashed into homes, studios and art spaces, next being BEAF at Judith Wright Centre of Contemporary Art Brisbane (July 2013). With the Body-Sound-Awareness Collective, Luke is exploring a new wholebody listening-movement practice within drone fields called Dro Fo (Drone Focusing). Luke also works with children and other communities drawing on all these practices (including Jump, Dads-in-Schools and Living City) and is co-director of Super Critical Mass.
As a visual artist, he has exhibited installations, still and moving images, and temporary public art. His research work includes a doctorate exploring ambient modes of experience (QUT 2003-2007) and research fellowship around arts, innovation and policy (QUT/CCI 2008-2011), and he is now the studying and writing commentary on philosophy of living Eugene Gendlin (A Living Process). Other current writing projects are focused around the conditions of lively living and thinking as it’s surfacing across all out human practices (e.g. Hello to Thinking, Hello to You).
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